Much as the Minimoog is to synths, the LA-2A is something of a sonic holy grail for compressor designers and developers looking to create software and hardware clones. The LA-2A would be replaced by a solid-state descendent in 1967 and only built in limited numbers until revived by Universal Audio in 2000. Peak Reduction and Gain knobs are used to dial in the amount of processing and signal level, and a switch is provided to select the role of the VU meter, while another toggles between compression and limiting. This is a great sounding compressor for guitars and vocals. Just like the LA-2A it uses a simple control surface, the T4 optical attenuator for gain reduction, and program-dependent compression characteristics. Using CLA-2As Compress mode, the compression curve sounded admirably close to that of my LA-2A hardware unit. Learn more about CONJUGATED LINOLEIC ACID (CLA) uses, effectiveness, possible side effects, interactions, dosage, user ratings and products that contain. The basic difference between all three of them is of usage CLA-2A is mostly used for guitars, bass and vocals, whereas CLA-3A is mostly preferred for. The CLA-3Ais a model of the original solid-state compressor, the LA-3A, introduced in 1969. Their compression curves sounded identical (as they should, since they model the response of the T4 opto cell used in both hardware counterparts). With only the merest of controls available, the LA-2A is a doddle to use and virtually incapable of producing a bad sound. In use, CLA-2A and CLA-3A transparently compressed a very dynamic male lead vocal. This is the signature of the LA-2A and one prized by engineers the world over.Īdditionally, the LA-2A can provide up to 40dB of tube-amplified gain from input to output, meaning that it also acts as a preamp as well as a compressor. I use it for vocals a lot of the time to give it that analog sound and also. Longer, louder signals decay more slowly than weaker signals. The CLA-2A accurately reproduces the smooth, frequency dependent behaviors. Teletronix LA-2A clone for recording studio ProReplicas - vintage audio. This is great for doing more broad strokes with compression to even out inconsistencies in volume instead of the laser-precise nature of the CLA-76. It uses the same NOS UTC input and output transformers, NOS Carbon comp. It uses an electroluminescent panel together with a cadmium-sulfide.
#CLA 2A USES FREE#
The 1280x1024 / 1600x1024 USB monitors do not are supported as the main screen.Ĩ GB free space on disk in the system driveBy design, the T4's attack time is fixed at 10ms however, while the initial release time is 60ms during the first half of the release, the rest of the release is gradual and varies from between 1-15 seconds, depending on the length and volume of the incoming signal. Based on the famous Teletronix LA-2A optical compressor, the CLA-2A is known for its slower attack and release time. The LA-2A Leveling Amplifier is an audio compressor produced by Teletronix Engineering. OVERALL OPINION The LA-2A compressor is famous for smoothing.
Modeled on the legendary electro-optical tube compressor, the CLA-2A emulates the smooth, frequency-dependent behaviors of the original that have made it a favorite of engineers everywhere. Like the mid-60s classic, the CLA-2A sounds great on guitars and basses and really shines on vocals. Plus, with Chris Lord-Alge's personal presets and seemingly limitless instances, you've got a template that surpasses your inspiration.īased on the legendary compressor of electro-optical tubes Another good thing to do it to use the side-chain HPF to cut the low frequencies of a bass drum.